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- An Analysis of the Art Elements in The Birth of Venus, a Painting by Sandro Botticelli
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From the falling roses the symbol of Venus to the style of waves painted in the sea and the posture of Venus herself, all of these combine to form a rich mythical story. Most Renaissance period pieces are very natural and realistic in their execution of subjects and characters. As seen in this piece however, all of the characters take on a mythical and unnatural element in their design and implementation.
The characters have an unearthreal sense of floating and gracefulness that is not found in mainstream Renaissance art. But something more than a rediscovered Homeric hymn was likely in the mind of the Medici family member who commissioned this painting from Botticelli. Once again, Botticelli, in his version of the Birth of Venus, might be seen as completing the task begun by his ancient predecessor Apelles, even surpassing him.
Giving added support to this interpretation of Botticelli as a born-again Apelles is the fact that that very claim was voiced in by Ugolino Verino in a poem entitled "On Giving Praise to the History of Florence. While Botticelli might well have been celebrated as a revivified Apelles, his Birth of Venus also testified to the special nature of Florence's chief citizen, Lorenzo de' Medici. Although it now seems that the painting was executed for another member of the Medici family, it likely was intended to celebrate and flatter its head, Lorenzo de' Medici.
Tradition associates the image of Venus in Botticelli's painting with the famous beauty Simonetta Cattaneo Vespucci , of whom popular legend claims both Lorenzo and his younger brother, Giuliano , were great admirers. Simonetta was possibly born in the Ligurian seaside town of Portovenere 'the port of Venus'. Thus, in Botticelli's interpretation, Pankaspe the ancient living prototype of Simonetta , the mistress of Alexander the Great the Laurentian predecessor , becomes the lovely model for the lost Venus executed by the famous Greek painter Apelles reborn through the recreative talents of Botticelli , which ended up in Rome, installed by Emperor Augustus in the temple dedicated to Florence's supposed founder Julius Caesar.
In the case of Botticelli's Birth of Venus , the suggested references to Lorenzo, supported by other internal indicators such as the stand of laurel bushes at the right, would have been just the sort of thing erudite Florentine humanists would have appreciated. Accordingly, by overt implication, Lorenzo becomes the new Alexander the Great with an implied link to both Augustus, the first Roman emperor, and even to Florence's legendary founder, Caesar himself. Lorenzo, furthermore, is not only magnificent but, as was Alexander in Pliny's story, also magnanimous, as well.
Ultimately, these readings of the Birth of Venus flatter not only the Medici and Botticelli but all of Florence, home to the worthy successors to some of the greatest figures of antiquity, both in governance and in the arts.
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These essentially pagan readings of Botticelli's Birth of Venus should not exclude a more purely Christian one, which may be derived from the Neoplatonic reading of the painting indicated above. Viewed from a religious standpoint, the nudity of Venus suggests that of Eve before the Fall as well as the pure love of Paradise. Once landed, the goddess of love will don the earthly garb of mortal sin, an act that will lead to the New Eve — the Madonna whose purity is represented by the nude Venus. Once draped in earthly garments she becomes a personification of the Christian Church which offers a spiritual transport back to the pure love of eternal salvation.
The sea brings forth Venus just as the Virgin gives birth to the ultimate symbol of love, Christ. Rather than choosing one of the many interpretations offered for Botticelli's depiction of the Birth Arrival? This layered approach—mythological, political, religious—was intended. Botticelli, or more likely his workshop, repeated the figure of Venus in another painting of about This life-sized work depicts a similar figure and pose, partially clad in a light blouse, and contrasted against a plain dark background.
It is in the Galleria Sabauda in Turin.
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Examples seem to have been exported to France and Germany, probably influencing Lucas Cranach the Elder among others. More than a decade later, Botticelli adapted the figure of Venus for a nude personification of "Truth" in his Calumny of Apelles. Here one hand is raised, pointing to heaven for justification, and the figure's gaze also looks upwards; the whole effect is very different.
Among many uses of what has become an iconic image, from to the early s, Adobe Systems used different versions of the painting in the splash screens and icons of their vector drawing app, Adobe Illustrator. From Wikipedia, the free encyclopedia. For other uses, see The Birth of Venus disambiguation. Capitoline Venus , derived from Aphrodite of Cnidus. Venus de' Medici. Greek terracotta, from Pontus. Scallops were familiar Italian seafood, but their shells are never more than a few inches wide.
No Mediterranean shell is anything like this large, although various tropical giant clam species may reach half this width or more, with a rather different shape. Legouix, 21 argues for the traditional one for the female held by Zephyr. Clair, Kassia The Secret Lives of Colour. London: John Murray. Smarthistory at Khan Academy. Retrieved December 19, In addition, the writer on art known as the " Anonimo Gaddiano ", from around , speaks of "several" very fine Botticellis at Castello, which may confirm the Birth was there.
This was a Roman imperial rename, the city having originally been Fluentia, for its two rivers. David L. Quint, University Park, Pennsylvania, The ARTery. Retrieved Museum of Fine Arts, Boston. Sandro Botticelli. List of works.
An Analysis of the Art Elements in The Birth of Venus, a Painting by Sandro Botticelli
Botticelli Inferno documentary. Thus, music is a useful tool to reveal your attitude to things and, what is more, to people. If you do not connect to any music, you probably are losing a part of yourself. The Birth of Venus is a painting familiar especially to those who know about mythology. Sandra Poetical wanted to show the birth of Venus one of the Greek gods in his own point of view. He demonstrates this by how he painted Venus and whom he painted in the drawing with Venus.
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He also shows it by the type of media he used and what he painted it on. For this painting, he had used tempera on canvas.
His inspiration for painting Venus came about during the Renaissance era. It is one of the first non-biblical female nudes in Italian The way they are used by the artist is to form specific shapes to tell a story about the goddess Venus. There are a few implied lines are used to create the ocean as to which Venus emerges from, as well as the waves in her hair to show that it has movement.
The actual lines are used to create the shapes of the nature and the angels and mother figure Biography On the highest pinnacle of glory, Sandro Botticelli was regarded as one of the most esteemed and honored Italian painters. Although this unique artist lived and worked during the period of the early Renaissance, the majority of his works of art has been truly appreciated during the preceding centuries.
Such a great number of the unique characteristics of the artworks created by the Italian Renaissance painter will is the main reason why the personality of Sandro Botticelli, as well as his artistic legacy, will never be forgotten.
The birth of Venus was Botticelli's most famous work of art. He was influenced by other painters such as Filippo Lippi The birth of Venus supposedly took two years to paint from AD.
The painting is currently being displayed at the Uffizi Gallery in Florence, Italy. Medium: Tempera on a canvas Another thing that is striking about this painting that it is 6 feet by 9 feet, and has even been called the "first large-scale canvas created in Renaissance Florence. It depicts the story of the goddess Venus, having emerged from the sea as a full grown woman arriving at the shore. This renaissance painting is huge and is Andy Whorl's screen print Venus was done is and has been mass produced all over the country.
There are This is done in this style, because Poalo Veroneses was a Renaissance painter as well as his teacher Titan. The painting takes place in Rome in the Mythological Era. It is not known who commissioned this work. Emperor Rudolf II in Prague owned this piece of artwork as well as four others of Veronese's paintings. Mars is the God of war; and Venus is the Goddess of love.